Live Music Blog

In a profoundly short time, Myspace.com has become the hottest music promotional tool available to anyone. Here are the 7 rules of successful MySpace music promotion.

1. Get a myspace.com music page.

Getting a myspace.com music page is free so there is no reason not to have one.

2. Make sure your page is user friendly.

There are many would-be music business professionals who have MySpace.com pages take too long to load. If your MySpace.com page loads too slow, you can be losing potential audiences. Mega bandwidth graphics and images will pr get together your page from loading immediately. Your MySpace.com page should take no longer than 20 – 30 seconds to load.

a lot of artists on MySpace use layouts that emphasize their creativity but are a nightmare to navigate. Refrain from using dancing cursor’s, raining text, and distracting images on your MySpace music pages.

Other MySpace performers have about me blurbs that go on forever. Keep about me blurbs short (no more than 1000 words), if individuals want to know more about you, they will ask.

3. Have your music on your MySpace.com page.

Do not put an individual else’s music on your MySpace.com page unless you were involved in the creation of the music. How might you be found if your music isn’t on your page?

4. Reach out for friends.

Networking on MySpace.com is one of the the majority commanding tools you may use to build your fan-base. Take advantage of the occasion to reach people with prefer interests. Never ignore or decline a friend request. You never know who may help your career.

5. Treat your friends prefer friends.

Common courtesy applies on MySpace just as in real life. Be willing to thank your companions for adding you as a companion. Respond to friend’s emails (if appropriate). Never post your ad as a comment on an individual’s MySpace page without acknowledging them. Limit the size of your “ad comments”.

6. promote yourself in appropriate ways.

Noteworthy career benchmarks, or new music added to your page are nice reasons to promote yourself on myspace. List your show dates on your page and use bulletins to let people know where you are performing. Limit the number of bulletins you post. Posting irrelevant bulletins, or posting bulletins too ofttimes, will force your companions to ignore you.

Let individuals know about your myspace.com page. Putting your unique myspace.com address on your website and business cards will make it convenient for you to build your network and fan base faster.

7. offer ways for individuals to purchase your music from your MySpace.com page.

If you sell your music anywhere Web make sure there is a direct link from your MySpace page to the location where individuals could buy your music.

Follow our rules and you’ll have fun and make many companions on Myspace.

In a decidedly short time, Myspace.com has become the hottest music promotional tool available to anyone. Here are the 7 rules of successful MySpace.com music promotion.
1. Get a myspace.com music page.
Getting a myspace.com music page is free so there is no reason not to have one.
2. Make sure your page is user friendly.
There are many would-be music business professionals who have MySpace.com pages take too long to load. If your MySpace.com page loads too slow, you can be losing potential audiences. Mega bandwidth graphics and images will pr event your page from loading promptly. Your MySpace.com page ought to take no longer than 20 – 30 seconds to load.
many artists on MySpace.com use layouts that emphasize their creativity but are a nightmare to navigate. Refrain from using dancing cursor’s, raining text, and distracting images on your MySpace.com music pages.
Other MySpace.com artists have about me blurbs that go on forever. Keep about me blurbs short (no more than 1000 words), if people want to know more about you, they will ask.
3. Have your music on your MySpace.com page.
Don’t put someone else’s music on your MySpace.com page unless you were involved in the creation of the music. How can you be located if your music isn’t on your page?
4. Reach out for friends.
Networking on MySpace.com is one of the the majority influential tools you can use to build your fan-base. Take advantage of the opportunity to reach people with prefer interests. Never ignore or decline a friend request. You never know who can help your career.
5. Treat your friends prefer friends.
Common courtesy applies on MySpace.com just as in real life. Be willing to thank your friends for adding you as a friend. Respond to friend’s emails (if appropriate). Never post your ad as a comment on someone ’s MySpace.com page in the absence of acknowledging them. Limit the size of your “ad comments”.
6.  promote  yourself in appropriate ways.
Noteworthy career benchmarks, or new music added to your page are nice reasons to  promote  yourself on myspace. List your show dates on your page and use bulletins to let people know where you’re performing. Limit the number of bulletins you post. Posting irrelevant bulletins, or posting bulletins too usually, will force your friends to ignore you.
Let people know about your myspace.com page. Putting your unique myspace.com address on your web site and business cards will make it convenient for you to build your network and fan base faster.
7. provide ways for people to purchase your music from your MySpace.com page.
If you sell your music anywhere Web make sure there is a direct link from your MySpace.com page to the location where people can buy your music.
Follow our rules and you’ll have fun and make many friends on Myspace.

Music promotion is not such an simple task to master. In fact it is one of the biggest barrier present for an independent artist. There are literally tons of nice artists out there, but what’s stopping them from success and fame? It’s their promotion. Don’t think for a second just because you’re signed to a big record label, you’ll be next Justin Timberlake. Even big record labels can every now and then struggle to  promote  certain artists and there have been many cases where artists voluntarily choose to go independent so they can solely  promote  their music and be free of any contract.
Stop dreaming about getting “signed” – it is time to put the power in your hands. Independent music distribution is the wave of the future. And here is the nice news, you’re in total control. Don’t think for one second that have to have 100’s of thousands of dollars to drop your CD  if you’re independent? Think again. There are lots of businesses that will get you started for next to nothing. You only pay for what you sell and they do all the leg work for you.
There are web sites that you can visit now that takes your music Web – turns it into a professional CD  – and even takes your orders. They additionally ship, they print, they process orders … – heck, everything but making your song and cooking your breakfast. There are places Web which let’s you upload your song once and gets you listed in the top digital distribution web sites in seconds. The point is Web music promotion and distribution is much easier than you think. And iTunes is far from the only game out there – there are dozens of places to list your music that you have probably never heard of.
Social networking is another a Club you can use to establish amazing determinations. Armed with a little knowledge, you can propel your Web presence within a matter of days and get tons of free publicity and traffic coming through to your web site. Not only has the Internet begun to dominate the promotion of music, it has additionally begun to dominate its distribution as well. iTunes, by 2006, reportedly have more than a million song downloads per DAY. That has been back in 2006. (Hint: It is 2008 now).
Web downloads are projected to surpass CD  sales some time in 2010. This is just brilliant news for independent artist s. For you all aspiring artists out there, jump Web, ride this 100-ton marketing guerrilla and take use of the amazing opportunity Internet presents to everybody.

Let’s face it, the wildfire spread of web-based portals designed to introduce independent music to the world has created a bewildering array of opportunities and expenses. So where do they all balance out? When does the fee of signing up to yet another music promotion service yield determinations? What determinations are  we  looking for anyway?
The key is to make your Web promotion targeted, systematic and rich.
What’s the central drive for independent artists  promote  their music on the web? The fundamental incentive for Web promotion is the opportunity to get your music heard by people who can alternatively never know that you exist! If people know you exist they may be come audiences and repeat- audiences. Which of those audiences buy CD ’s and downloads? Targeted audiences.
The the majority necessary goal of Web promotion is to attract targeted audiences.
Any independent performer who demonstrates they use the Web to sell their music has missed the primary target – attracting targeted audiences. Attracting targeted audiences ought to be every independent  musician’s  first priority.  Don’t forget, you don’t sell your music – audiences BUY your music. It’s a buyers market. The more targeted audiences you have, the more sales you make – provide d you’re systematic in getting your targeted audiences.
The perfect way to get targeted audiences is to be systematic.
many artists tend to approach their Web promotion thinking that since they have a web site and have signed up to a couple of performer showcase web site s, that the audiences will just come pouring in. Yes you have managed to target some potential audiences, but you still have to shout, “Hey, over here… you’ll prefer the sound of this!” A systematic approach to getting audiences to hear your music will attract and maintain their interest. But remember to make sure you have the content ready for the listener to enjoy.
Sites rich in content will retain your targeted listener.
In the independent  musician’s  case, the rich content is the music. This can seem prefer old news, but look at the amount of independent performer web sites that give the visitor loads of info about the band but decidedly little (or hidden) ear candy. Music ought to be the first thing a visitor gets. At the decidedly least they need an obvious link to where they can listen to your music. And not just one or two tracks but a variety of your music. Independent artists have to remember they haven’t had the radio exposure to model the presentation of their music following more well established acts. Listeners need to be convinced they prefer your independent music before they will buy it.
So the question is how to make your Web promotion targeted, systematic and rich?
Tips for Targeting.
The perfect targeted audiences on the Web will be those that make it to your web site. Find a way to know who they are.  set up a newsletter and make it simple to sign up to it. people interested enough to want to receive news about you’re your hardcore Web audiences, keep them happy.
The next perfect group of targeted audiences are those that hear your music on other web site s. Try to choose web sites that allow audiences to link to your web site. If the y prefer your music they can click on that link to visit your web site. You can then find out where these visitors are coming from. Find a nice Web statistics package that lets you know which web sites your visitors are being referred from. Take note of those web sites and focus your endeavors with them accordingly.
When selecting web sites on which to  promote  your music, check to see If the y provide any individual stats relating to your music. prefer how many track plays or page views you and your music receive on their web site. This way you can check in periodically and monitor your show with these web site s.
Systematic Steps.
The key to being systematic is organization. Keep a note of all the web sites you use to  promote  your music, a brief description of what they do and how much it expenses. Try to get into the practice of monitoring all of them regularly. Take note of which web sites are getting better determinations than others and focus your endeavors accordingly. You can pay for minimal promotion on one web site, while another gets you loads of audiences for free. Naturally you’ll want to put more endeavor into updating the web sites that are getting better determinations.
provide a link on your web site and newsletters to all of the web sites you use to  promote  your music.  Don’t forget your web site visitors are your hardcore Web audiences and are the the majority prefer ly to check out and spread the word about your spot on other web site s. So  promote  them to visit your profile on other web site s. At the decidedly least it raises your stats on those web sites – making your music look more popular!
Try to establish a ring of web sites that link to each other though the content you supply. For instance, you can have your music on your own web site and two other showcase web sites – web site A and web site B. Your web site ought to in the absence of a doubt link with web site A and web site B. web site A ought to link with your web site and web site B, web site B ought to link with your web site and web site A and so on. What If the se web sites don’t allow you to  set up links to other web site s? Put a Web address in the areas where they do allow you to supply content. prefer biogs or descriptions.
The highest quality aim of linking all your web sites is to provide your audiences with a variety of access points to your music, as well as access to the divergent ways numerous web sites can deliver your music.  Don’t forget to link to your specific page on the web site and not just the web site itself. Your web site linked with a web site that play your tracks on Internet radio, linked with a web site that sells your downloads, linked with a web site that sells your CD ’s provides for a influential combination of exposure.
Be Rich
in the absence of money ! That is the challenge that the majority independent artists face. The conventional approach to selling music is that it ought to not be too simply available to listen to, ought to the incentive for audiences to actually buy albums be undermined. This has persuaded independent artists that they ought to limit Web audiences to low-quality snippets of streaming audio.
Independent artists have to remember they don’t have the resources and finances to guide the “shotgun approach” of spraying their music across radio and music TV. Big artists have big businesses behind them that need to recoup the expenses of mass media exposure, and and so try to limit the extent to which audiences can sample their music on the web. Listeners have already heard the music and are trying to find a copy of their own.
Conversely, audiences haven’t had a opportunity to listen to independent performer through conventional media. Therefore independent artists can’t assume that people will buy their music off of a web site If the y don’t get a opportunity to really listen to it. If people have already heard an  musician’s  music, and prefer it, the worth they pay for is in owning a copy they can play whenever they prefer. If people haven’t already heard an  musician’s  music, the worth is in being able to sample as much of the music as possible.
So being rich is providing your audiences with as much of your music as they want to listen to before they buy it. Now you don’t have to make all your tracks available for free download, but you can provide nice quality, full-length streams that impress the listener and elevate your sound. Not tight-fisted snippets that lose the listener because they are lo-fi and over before they attract the listener’s interest.
Being rich is additionally making your music available in a variety of formats for divergent audiences s. Telling audiences that your music may be heard via Internet radio, on-demand streams, mp3 downloads and mail order CD  means you can appeal to audiences who like more than one kind of media. You can additionally use your Web promotion to go beyond simply plays and sales – contemplate licensing.
Licensing your music for use with TV, film, advertising, web site s, video games and other multimedia will open up your listening audiences, provide re Club and introduce a degree of professionalism to your career that attracts the notice of industry reps and A&R. Adding this depth to your Web promotion helps to enrich the presentation of your music and retain targeted audiences.
So remember : a) maximise your targeted audiences, b) be systematic in gain ing them, and c) retain them by making sure your own web site and other web sites are rich in content.