Live Music Blog

Do you like to listen to live music? When you think of live music what do you think of? Do you think of going to a huge stadium or concert hall and standing with thousands of other screaming fans while your favorite artist or band plays song after song? This is the type of experience that many people prefer when they think about “live music.” But, with the technology we have available today, it is possible to have a similar experience in your home every day.

It has been decades since the first live music concert was broadcast over cable television. This is a way that not just thousands but millions of viewers all over the country and even the world can be part of a live concert taking place in New York City, London, or even Tokyo. The televisions and stereo systems that we have today far outshine those of the past, and you may really feel like you are right there at the live music venue even if you are sitting in your living room or den. You can watch whatever you want to watch, eat whatever you want, and turn it up as loud as you want. Then, you can record it and watch it again later.

The internet is also a great resource for live music downloads. However, the term “live” in this case may be deceiving. Sometimes you can listen to actual music that is live, but for the most part the live performances you will find on the internet are recorded previously. They are not, however, the same recordings that you will buy on a CD. The music and the performances are unedited and raw. Many sites now offer free downloads so if this is your type of music experience you can put it on your MP3 player and go.

If you still prefer being at the venue for the live concert, but you can’t afford to spend a fortune, check out some of the local bands-you can hear samples from some of them online at sites like myspace music.

The opportunities are there for the taking.

Music is said to be the food of the soul. There is nothing more persuasive and pleasing than good music. Soothing music heals the mind. No entertainment is complete without music. Playing of your favorite music and songs instantly changes your tension filled mind to a more relaxed and serene state of mind.

Though people can listen to songs and music on stereo systems and walkmans, however, they do not think twice before lining up for live music concerts the reason – passion. It is the power of passion that attracts them to see the stars perform in person and live. Nothing beats it.

Live music is also preferred at parties and events. Live music entertainment consists of classical music, Jazz, Swing, World music, period music of 50’s, 60’s, 70’s, 80’s and the 90’s and performed by artists who haven’t made it big. Classical music consists of quintet, quartet, trio, duo and solo. Performances of live music can be given on any instrument as a piano, guitar, keyboard, cello, harpoon, flute, trumpet, saxophone and the jazz set.

Whether it is a birthday party, wedding reception, a private party or a corporate party, live music is a must if you are not hiring a DJ to mix songs for you. Even if there is a DJ, live music is not a bad idea. Almost every city and town in the US has bands that perform live music. The choice of songs and music may be limited with a live music performance, but it is the limited selected songs and music, which makes the band endearing to people. DJs would charge 25% – 50% of what a live music performing band charges. However, the allure of live music is something that is irresistible if one can afford it. Some live music performing bands capture and reproduce the tone of music that were not recorded properly by the unsophisticated recording machines of the 50‘s and the 60’s.

A DJ can mix songs to provide you the ultimate music entertainment. What needs to be done though is that you should give the DJ a list of your preferred song long before the event. That gives the DJ time to arrange the CDs for you. The variety of music becomes enhanced when a DJ plays CDs. A sudden request from the guest also may be honored by the DJ and the song may be played. Most DJs come prepared with a number of CDs to meet immediate requests.

The success of any event depends on the music entertainment. If the guests hear the music they enjoy your party will be a success.

Copyright @2006, 4th Media Corporation

You have permission to publish this article electronically free of charge, as long as the bylines and links in the body of the article and the bylines are included.

Austin is known as the Live Music Capital of the World. One of the best parts about having that distinction is that even if you aren’t necessarily into the club scene, you can still hear live music at restaurants throughout the city. Whether you feel like hearing Cajun, blues, country, Latin or rock, you can almost always find a great meal enhanced by a great band playing.

Threadgill’s is legendary not only for their chicken fried steak and cheese grits, but for also being the place that gave Janis Joplin her start. With a newly refurbished north location, and their World Headquarters just south of the river, Threadgill’s features the best in bluegrass, country, and soul music, as well as hosting a delicious and rejuvenating Gospel Brunch. Steaks, seafood po-boys, and the best vegetable side-dish selection in town, this is the quintessential Austin food and music spot. 301 West Riverside Drive, Austin, Texas 78704 // 6416 North Lamar Blvd., Austin, Texas 78752

Artz’ Rib House is another gem of a music/food venue in Austin. As their name suggests, their specialty is smoked ribs, with country style pork, baby backs, or big beef ribs to choose from. They also make one of the better burgers in town, offer the Texas BBQ staples of brisket and sausage, and even have an inventive vegetable kabob on the menu. Their musical offerings are just as tasty, with an emphasis on western swing and a monthly Old Time Fiddlers Jam. Artz is located in the barton hills neighborhood at 2330 South Lamar, Austin, TX 78704

Quality Seafood is both a seafood market and a restaurant, serving some of the finest and freshest fish in town. Three days a week they feature music along with food and drink specials. Mondays they usually feature a hot jazz combo, and offer a great deal on succulent king crab legs, and on Wednesdays a folky blues duo entertains while the crowd feasts on peel and eat shrimp. A DJ holds forth on Thursdays, sometimes with live instrumental accompaniment, and the special rotates – recent Thursday food specials include spicy Texas crawfish and soft shell crab po-boys. 5621 Airport Blvd., Austin, TX 78751.

Las Palomas serves some of the finest Mexican food in the city, and features one of Austin’s best kept musical secrets. When they aren’t on tour with a major Texas country star, you can find the cream of Austin’s crop of pickers joining a gypsy jazz violinist for some jaw-dropping jazz every Wednesday night. Famed for their enchiladas “Tres Marias,” Las Palomas also offers ceviche, chicken mole, and other specialties. 3201 Bee Caves Road, Austin, TX 78746.

Having survived the ups and downs of Austin’s East Side, the Victory Grill is truly a piece of Austin history, but is just as vibrant today. Built in 1945, the club has hosted acts including B.B King, Ike and Tina Turner, and Billie Holiday, and today features Austin’s finest blues acts. With a rotating menu of down home cooking, the Victory Grill is a slice of Old Austin.

Around the pubs and clubs in the UK there are still many bands playing for only a few pounds to demanding audiences who simultaneously request Chuck Berry and the Arctic Monkeys. Keeping all these different people in the audience happy is never easy, but not impossible either. With good stage craft and clever of songs at a particular venue, a good band can make everyone happy.

The organisation of these bands is extraordinary. They must find like minded musicians that are committed. Then they must find somewhere to practice. This is not easy as most cannot do this at home. If you are fortunate to have a house big enough, it is unlikely you can get round the neighbours, as it is so loud! It cannot be turned down as everything must be as loud as the drums. A band usually hires a room to practice, at great cost to themselves.

A band must also spend literally thousands on equipment. PA, lighting, guitars, drums etc.

The next hurdle is transport. For some reason most drummers cannot drive! Cars are usually inadequate as you would need a fleet of about 5 for your gig, very expensive on the fuel, and impractical. Most bands have to hire or buy a van, again at great cost to themselves.
When they have finally rehearsed all there material over weeks or months, they are ready to play live. It is an exciting day, one of wonder, excitement and slight fear. You turn up to the venue to find one man and his dog. And that man is very drunk, wants to be your manager, and giving you all the benefit of his ‘wisdom’ in the music game! The landlord is also drunk, and you cannot work out if he likes you or not.

You get poorly paid, if you get paid at all, and return home usually out of pocket.

However the real rock heroes come back for more. They find the best venues, gain a reputation, and play at some great places. Sure they still have bad gigs, but the good ones make up for it. They make it look so easy, but it is not. One such band can be seen at http://www.thehalfmonty.tk

The Half Monty have had there share of ups and downs. They have been ripped of at gigs, played in the most dodgy venues, and heckled to death. But they are still here, bigger and better than ever having learnt from their early days.

So remember, when you see a local band advertised at a pub or club, go see them and support them. It is not easy for the lads and lasses. Perhaps buy them a beer after the performance if you really enjoyed it. , for these are the true heroes of rock.

We spent months preparing for the Gemini Soul tour, booking performances in Phoenix, Hollywood, Fresno, Santa Cruz and Orange County. We covered it all: a publicist, advertising, free ticket give-aways, flyers, posters, concert listings, postcards. We tried holding a charity benefit. We tried having an opening band. We tried free promotional concerts at colleges. We tried passing out free admission cards on the street. And still only a scattering of people came to each show.

The people who did show up always raved about the music, as did the doormen, the bartenders, the club managers. “You’re the best band I’ve ever seen play here, and I’ve heard a lot of bands,” was a typical response. So where was everyone?

Live music in the United States is dying. Several decades ago, a band could count on regular club dates. Unknown jazz bands could “do the circuit” and make at least some money. Not anymore. I talked to the manager of a two-thousand seat theater. She said everyone in the industry is talking about how difficult it has become to fill venues, and speculated that people have too many entertainment options at home — the internet, iPods, cable TV, Netflix — that there is less incentive to go out on the town. Fewer people are willing to take a chance on unknown music. As a consequence, many venues can’t afford to pay bands and expect you to play for tips — which is fine to get a career going, but how can you sustain that?

Live music as viable entertainment hangs on in some ways. Me’Shell Ndegeocello, thank goodness, can draw a large crowd on a Monday night to San Francisco’s The Independent. Festivals and cruises still feature performers (although they are increasingly interested in musicians with national reputations – which begs the question, how does one get a national reputation?). But if talented guitarists like Mick Fleetwood (co-founder of one of the most successful bands of all time, Fleetwood Mac) can fill only half of that two-thousand seat venue, and if Yoshi’s resorts to giving away free tickets to Lee Ritenour’s second show, where does that leave us?

Have we become too accustomed to music at the press of a button, day and night, and worse yet, many of us now expect it for free? Radiohead released their latest CD online and asked buyers to choose how much to pay. Only 38% of those who downloaded the CD paid anything. The rest — an unbelievable 62% — felt they should get the album for free! [Forbes.com] Because of the band’s stature, they still made a considerable amount of money on the sales, but at those percentages, a four-person band selling only 10,000 CDs at an average of $8 apiece would make just $30,400. That amounts to less than $8,000 per person, not including any deduction for production expenses.

I recently discovered a dozen inter-connected English-language websites based in Russia selling my music as well as music by big-name artists, unauthorized, for download for less than $1 per CD. If most musicians can’t make money performing and can’t even make money from CD sales online, how will our culture be able to nurture and sustain the next wave of musicians? Like climate change, we will glibly go about thinking nothing is wrong (or at least many of us will) until it is too late. We will have chopped down the tree that nurtured our music and gave it life.

You would expect a city with a large university student population to have some dance clubs and other live music venues that cater to a young crowd. To say that about Sheffield is an extreme understatement. The vibrant live music scene in the city has been the soundtrack to life for citizens of Sheffield for over 30 years.

Past and present Sheffield musicians have enjoyed great success. Names from the not too distant past include Joe Cocker, Pulp’s Jarvis Cocker, Def Leppard, The Human League to name a few. More recently the Arctic Monkeys, Pink Grease, and The Long Blonds are very popular in and outside of Sheffield. The live music venues, such as clubs, pubs, halls, and stadiums fill the air with music, and vibrate the cities streets with a baseline.

So many talented acts come from Sheffield that is seems an odd coincidence. Perhaps something in the water that helps vocal cords develop, not likely, but something has to explain the large volume of musicians coming out of this fairly small area. Well, it’s not that big of a mystery.

It seems that in the early 1980s when the steel industry was on a down turn, someone on the Sheffield City Council heard about the big money involved in music. The multi-million dollar incomes of rock stars looked like an attractive way to bring a lot of money into the city. By 1982, a year that saw double-digit unemployment rates and 20,000 jobs lost, the City Council decided to do something about it by producing a few rock stars of their own.

It may not have occurred quite that way, but the fact is, the council got involved in the music business. They figured out that to have a great income producing music scene several things were needed. An infrastructure for the music industry was necessary, so the Council began funding projects related to music. A recording studio was needed to attract top acts and lot of live music venues were needed to showcase the local talent.

Sheffield City Trust owns Sheffield International Venues and operates Hallam FM Arena, and Sheffield City Hall to name a few of the 13 venues for music, sports, and entertainment. (SVI) Sheffield International Venues vision is to promote Sheffield as an international and cultural centre point for sport, leisure and entertainment, something they have been quite successful at doing since 1988.

Red Tape Studios is a training site for Sheffield City Council. It offers training to people interested in careers in the music business. Band Development, Band and Artist management, Music Technology, Music Business Courses and even DJ training courses are available. Because these courses are part of a local government backed system, they are competitively priced and the program really helps promote the music scene in Sheffield.

Of course the City Council offers other training units. Aspiring caterers, (if there is such a thing) can train at Sheaf Training alongside aspiring construction workers and customer service representatives. Tritec Computer Training is the City Council’s IT training ground and every city has at least one of these. The fact that the city recognizes and promotes popular music is just so surprising, and what’s more exciting and surprising is how well it works.

That answers the question how one small area can produce so many talented musicians. Not really a mystery, it’s more of a plan. Council backing is only a small part of the music scene however, and the venues that have been committed to growing the live music scene for the past twenty five or thirty years deserve much of the credit as well.

The Leadmill celebrated its silver anniversary in 2005, and has grown from a derelict flour mill in a rundown part of the city during the last stages of the steel industry’s demise. Unemployment and hopelessness was the consensus among young people at the time. A group of volunteers, students, artists, and unemployed people, who described themselves as “insane but likable” came together to set up a centre for arts and music for people like themselves who had nowhere to go.

The Leadmill has grown into a landmark, and the live music has grown legendary. The opening in 1980 of what was a performing arts center with jazz, pop bands, theatre, education workshops, and club nights began a tradition of live music that venues the world over have tried to emulate. The “insane but likable” founders turned out to be visionaries, except when they turned down a strange young blonde girl for a gig in 1983 who turned out to be Madonna. But who would have thought a club where the toilets backed up onto the dance floor would do so well. It’s not the bricks and mortar, but the bands and the experiences of the people who have been there time and time again that are memorable. The Leadmill is a launching pad for stars in the music business, and the place to see up and coming musicians in Sheffield.

The Leadmill is of course not the only famous live music venue in town, and is just one of the great live venues. There is a club in Sheffield for whatever your taste is. Live Music, DJ & MC stuff, techno, synthpop, indiepoppunk, and whatever other combinations of music are left over are represented somewhere in the city. Starting from a forward thinking city council and bright young people who love music, the city of Sheffield has been producing musicians like other cities produce butchers for the past 30 years.

There is more live music going on in Austin, Texas on any given night than there is in any other city in the world. That’s why the city has put a trademark on it’s slogan “Live Music Capital of the World.”

There are hundreds of live music venues in the city and its immediate environs. Many are situated in three main entertainment districts: Sixth Street/Red River, the Warehouse district and South Austin. Sixth Street/Red River is the famous sector in downtown Austin that is known around the world for it’s live music scene and often boisterous crowds that fill Sixth Street on the weekends when it is closed to traffic. The Warehouse district runs west from Congress Ave. along Fourth and Fifth Streets. That’s where Antone’s is located, the venue that USA Today has named the best blues club in the country. In South Austin, there are a number of clubs on South Congress, South First St. and South Lamar that offer up some of the best new and original music in town.

The road to its live music capital status began way back in the 1960’s when a spirit of eclecticism appeared with the hippies and anti-war protesters of that era. Inclusion was in and exclusion was out, no pun intended. With the 70’s, this eclectic spirit gave birth to a form of music that was often called progressive country. Joe Ely, along with co-Lubbockites Jimmy Dale Gilmore and Butch Hancock, brought this music down to Austin and hooked up with Marcia Ball and Delbert McClinton and cosmic cowboys like Jerry Jeff Walker, Michael Martin Murphy, Rusty Weir and Ray Wiley Hubbard. Willie Nelson and Waylon Jennings came back from Nashville during that time to settle in Austin where they could take control of the production of their songs. A wild and powerful musical vortex formed that saw psychedelic rock and roll mix with straight out country and blues at venues such as the Armadillo World Headquarters, Threadgill’s, the Soap Creek Saloon and the Broken Spoke. It was cool to dig the psychedelic sound of the 13th Floor Elevators and the uncompromising country licks of Alvin Crow at the same time.

Then, in 1975, a 30-minute University of Texas music program was accepted by a number of PBS affiliate stations and Austin City Limits was launched and has become the longest running program in the history of PBS. It has propelled Austin to the forefront of the music industry’s consciousness in the US and around the world. That first program featured Willie Nelson, but has since put Texas music notables such as Marcia Ball, Lyle Lovett, Robert Earl Keen, Asleep at the Wheel and many, many others in the national and world spotlight.

In more recent years, the South by Southwest showcase every Spring that brings nearly 1500 musicians and musical acts to town to be seen and heard by industry executives and AR types, along with the Austin City Limits Festival in September, have kept the city on the national music map. In addition, dozens of other smaller festivals are held each year, as well as a number of nationally significant ones in the surrounding Hill Country such as the Kerrville Folk Festival and the Old Settlers Reunion in Buda, just south of town.

The Austin music scene has always been a free-wheeling, break-the-mold, think-out-of-the-box kind of affair. That early eclecticism lives on in the current scene, although some characteristics of the town’s soundscape seem to have become entrenched. Sixth Street/Red River attracts a younger, party animal type of crowd with it’s rock and roll, blues and punk scene. The Warehouse district caters to a bit older and more professional crowd in general. And South Austin retains the feel of Austin in the 70’s with its nouveau hippie coffeehouses and crowds and its preference for good singer/songwriters. Still, there are always exceptions to those general tendencies just about anywhere you go.

Austin remains a city where musical creativity and talent thrive and defy expectations. That can be experienced close up and personal in any number of live music venues on any given night.